A Story for a Preface
(Which Tells of the People, Scenery and Animals in Belgium)
The name which the Belgians give to their country is Belgique. The
English form Belgium is that from the Latin of ancient days.
The country is inhabited by two races. Draw a line across the map of
Belgium and you divide the kingdom into two regions, inhabited by
Flemings and Walloons.
Let the line pass from east and west through Brussels. North of this,
as a rule, there are farms, gardens and sea coast. Here the people
speak old Dutch, or Flemish, and most of them are fishermen, farmers,
seaport men and traders. South of this line are mines, factories,
furnaces, or flax fields and their talk is French. They are called
Walloons, which is only another way of pronouncing Gaul-loons. When
Cæsar met and fought with their ancestors, whom he called the Belgii,
he declared them “the bravest of all.”
We Americans ought to know who the Walloons are; for, in 1624, some of
these people—even before the Dutch mothers and fathers, boys and girls
came—settled New York and New Jersey. It was they who introduced on our
soil the marguerite, or white-and-yellow daisy, and they were the first
farmers in the Middle States. Moreover, when New Netherland received a
civil government, it was named Nova Belgica, or New Belgium.
The finest part of Walloon Belgium is the hill country of the Ardennes.
Here lived, in 1912, a boy named Emile, seventeen years old. His home
was in one of those stone houses, which are common in the highlands of
southern Belgium. All around him grew pine and birch trees, which made
his part of the country look so different from the lowlands around
Antwerp, where the tall, stiff poplars and the low branched willows
abound. The one tree points its boughs up to the sky and the other down
to the ground.
Emile’s father was a farmer, but the land of the hill country was not
rich, because it was too full of rocks and stones. The soil was quite
different from that down on the flax meadows, towards France, and the
flower gardens and truck farms of Flanders. Emile’s father could make
more money by raising horses, for the pasture was rich and splendid
horses they were, so big and strong.
The buyers, from the horse markets over in Germany, came every year
into the Ardennes forest country, for they liked nothing better than to
get these horses for the Kaiser’s artillery regiments. For, although
the animals of this breed were not as big and heavy as the Flemish cart
horses, they were not so slow and clumsy. In fact, there were few
places in Europe, where the horses excelled, in their power to gallop
while harnessed to heavy loads. They had what jockies call good “wind”
and “bottom,” that is, staying power, stamina, grit, or what we call,
in boys and men, “pep.” Emile, with his father, learned to take good
care of the mares and kept them in fine condition with brush and curry
comb, until their coats were glossy. One day, an unusually fine colt
was born, just before Christmas of 1909.
“What shall we name it?” asked the father of his wife; for it was her
favorite mare. She drove it to church every Sunday, and when born
Emile’s mother had named it “Jacqueline,” after the famous medieval
princess.
Now, it was a day or two after King Leopold had died, ending a long
reign of forty-four years, and the present King Albert had become ruler
of the Belgic country. Yet he did not call himself “sovereign,” or
“autocrat,” like a Czar, or “emperor,” as the German Wilhelm did, but
“king of the Belgians.” That is, he wished to treat his fellow
countrymen not as subjects, but as gentlemen like himself. So, when he
issued a proclamation, he addressed them, not as inferiors, but as
“Messieurs,” that is, gentlemen.
Emile’s mother who had, years before, lost one of her baby boys,
answered:
“Our dead ruler will have a great monument, but for Baldwin, his son,
who was to have been king, instead of Albert, but died early, there
will be few to remember him: So let us call our new colt ‘Baldwin’ and
let it be Emile’s own—his pet always.”
“Good,” said the father, and Baldwin it was, or “Baldy,” for short; and
the pretty young horse was given to Emile for his very own.
“It’s yours to play with, and to work for you, all your life,” said
papa Henri, “but you must care for it, as your mother and I have cared
for you.”
“That I will, father. You may trust me,” answered the boy.
As soon as the new long-legged stranger was able to cease taking
refreshments from its mother, Emile fed the colt out of his hand. After
Sunday dinner, he would go out into the garden, pluck some tops or
leaves of tender plants, such as radishes, peas, or the like, hiding a
lump of beet sugar under the greens. Then he would follow the path to
the stable to give a treat to both mother and son. Both the old mare
and young Baldy seemed to have an almost human look of gratitude, when
they cast their eyes on their owners and good friends. Nevertheless, no
horse ever yet learned to talk with its tail and say “thank you,” like
a dog.
When the time came to break Baldy to harness and for farm work, the
well fed and kindly animal proved to be one of the strongest and best.
It seemed equal to most horses of at least six years of age.
But it was not always sugar and young carrot tops, for Baldy! Emile
usually gave it salt out of his own hand. Sometimes he loved to play a
joke and even to tantalize his pet, though for a minute or two, only.
When out at pasture, and its master wanted to throw the halter over its
neck, Baldy would give Emile tit for tat and had his horse-fun by
cantering off. Then Emile would gather up the heads of white clover and
holding these, down deep in the palm of his hand, would entice Baldy
near, as if it were salt. Then he would throw the halter over his neck,
and Baldy was a prisoner. Emile took care not to play this trick too
often, and sometimes gave his pet real salt, even when out in the
field. If horses could smile, Baldy would have laughed out loud.
There were other pets in Emile’s home, besides the colt; and, first of
all, his dog Goldspur, named after the trophies found on the field of
Courtrai, when the Flemish weavers, with their pikes, beat the French
knights, in 1302. Though he worked hard all day, outdoors on the farm
in summer, and tended the cows and horses in winter, he had plenty of
time to give to his hares, which were so big and fat, that they took
the prize at the local fair. In his loft over the barn, he had a dozen
or two carrier pigeons. Some of these had been hatched on his father’s
farm, but most of them had been brought from Ghent, a city down on the
plain, where the two rivers, the Lys and the Scheldt join. Here, where
there were plenty of canals, he had a cousin Rogier, a boy of his own
age. The two lads often sent messages to each other by their winged
letter carriers.
The Walloon folk pronounced the name of this city of Ghent, or Gand, in
the French way, which sounds a good deal like “gong”; while the
Flemings, who talk Dutch, say it with a hard g, and as if “gent.” We
Americans put an h in the name; for fear, I suppose, lest we should
pronounce it like “gent” in gentleman.
In fact, when you get into Belgium, you find that even the laws and
some of the newspapers, as well as names of places, have two forms,
French or Walloon, and Dutch or Flemish. The British soldiers usually
take no further trouble to pronounce foreign names, except as they are
spelled at home, on their island. That is the reason why, for the name
of Ypres, around which the war raged during four years, one may hear
the sounds—French, eepe, or epray; Flemish, i-per; and, what the
English Tommies say, “wipers.”
Not long after his nineteenth birthday, Emile sent to his cousin
Rogier, at Ghent, a message. It was written on a note sheet, as light
as tissue paper. Rolled inside a bit of tin foil, in case of rain, and
with black sewing silk from his mother’s work basket, it was tied on
the pigeon’s right leg, between its pink toes and the first joint of
the knee. Safely making the journey, the bird fluttered down on
Rogier’s dove cote, which was set on a post in his garden. Untying the
missive very gently, and letting the bird into the cote to rest, Rogier
read:
Dear Cousin:
“Crops were poor this year, and father had to sell my pet horse,
Baldwin. I took it hard, and almost cried, to see a German horse
dealer pay down the money and lead it off. When out in the road,
Baldy actually turned round and looked back at us. The very next
day, word came from the army headquarters that I must report to
camp at Ypres. From next week, Tuesday, I shall be a soldier under
the black, yellow and red flag. Hurrah! Sister Yvette has been
singing the ‘Brabançonne,’ when she isn’t crying. I have only one
sister, you know. I hope they’ll put me in the cavalry; or, if not,
assign me to the machine-gun battalion. Goodbye! We’ll meet, when I
get down into Flanders.”
All too soon, the looming shadow, cast from the east, shortened and the
war-storm broke. On Sunday night, August 2, 1914, Germany sent an
ultimatum, demanding passage of her armies through Belgium to France.
To the Kaiser, Belgium was no more than a turnpike road to Paris. The
hero, King Albert, knowing he had his people behind him, refused to
cringe and become a German slave. It was like the boy David defying the
giant Philistine. The national flag—black, yellow and red—the ancient
colors of Brabant, the central province in the kingdom of the nine that
made Belgium a nation—was unfurled everywhere by “men determined to be
free.” That is what our Anthony Wayne said at Stony Point, in 1779.
By this time, in 1914, Emile was a seasoned soldier, not in the saddle,
as he had hoped at first, but with the dog-drawn mitrailleuse, or
machine-gun battalion, No. 40. A happy soldier he was, ready to fight
“for King, for Law, for Liberty”—as the chorus in the Brabançonne—the
national anthem—declared. Still happier was he to have with him in
harness, drawing the revolving, quick-firing cannon, of which he was
sergeant pointer, his pet dog, Goldspur. Like man, like dog was the
Belgian War Department’s acceptance of both—“in the first class of
efficiency.”
This was Belgium at peace, under her beloved King Albert and Queen
Margaret. Rich in wonders of art and architecture, in fairy, folk
wonder and hero lore, in traditions of valor and industry. When, again
and again, the story teller visited the country, he brought back, each
time, the seed, for flowers, in the bed-time story-garden.